<![CDATA[ Rachid El Hahi Saturday, March 21, 2015 – 12:37 “I remembered a position I heard with my own ears from the late Allal El Fassi when he complained to some who are committed to the” decency “of images bodies of actresses in 1969, such as Brigitte Brigitte Bardot and Sophia Loren attached cinema halls in the streets at the time in order to publicity to enter the cinema halls, and asked him Fatwa forbid them said to them, “the wise Muslims differentiate between image and reality, and between the paper and painted a woman’s body.” This paragraph and the important function concluded da H’mad Dgherni one of his recent articles, in which he dealt with the problem of artistic expression and political function in Moroccan society. This article is shown in which Ahmed Dgherni for his knowledge and followed by negligence and not a fighter and politician in the high-end monitoring and to express an opinion on many of the culture, democracy and human rights issues in Morocco in recent years, this despite the long years of struggle and his career. I have discovered through this other dimension of solidarity in Da H’mad culture of the article, and I mean his knowledge of art and the image of political, ideological and sensitivity raised, and the relationship of all bets on the evolution of society, democracy and human rights and cultural levels. A dimension of cultural awareness, I mean the awareness of the role and the place of art and image in the development of society and democratic life, which lacks most of the politicians and administrators and even Moroccan intellectuals as a result of the technical poverty and visual suffered by the public cultural infrastructure in the society and system of education school and university in Morocco and configuration, as it manifests itself in evident in the discourse of political and cultural perception of many tires and individuals, especially with the parties and currents that Tt perceptions and programs of ideologies and anti-tuned references from everything that is aesthetic and visual Tbouksh and this investigation. If we stopped at the response Allal El Fassi, who actually summarizes the ideological choice upon which the cultural policy in Morocco since the nearly a century, and the behavior and look to the subject of the political actor’s artistic creativity, it is clear the following: Constitute the film actually, and image to all forms of manifestation and its presence in the cultural and communicative life and space year, most pregnant women and modern forms of expression that Khalkhalt still traditional cultural structure of Moroccan society, and perhaps behavior obsessing social demand forbid them, as happened during the beginning of its presence in the space community over nearly a century of time, and the continuation of the ideological position and obsessing moral and cultural envelope religious justification private Salafi even at the present time, confirms that the image is created and the culture shock occurs in the community, and can contribute significantly to the modernization of social and moral and democratic development. Women’s body image thing dyed anything else, and wise people differentiate between the two. In other words, the picture is different from its reference nor conforms with the theme, but not in the sense Alsimeologi In the context of scientific debate and semantic, but with the necessary moral and political maneuvering in a cultural context and in a false measure divisive society. I remember, for example, the famous saying of Roland Barthes, critic and author based Smeuloggio picture, I think the book’s eloquence, or one of his studies published about photography: “The picture never differ from its reference!” I also remember the warning shown Ruces Dupree in his book “The Life and Death of the picture” that the only threat to civilization in the physical picture is broken. The whole point of this analysis is that Asthllnah Ahmed Dgherni testimony and invoked respond Allal El Fassi on the subject of the image and meaning of political and moral impact, is to try to understand why the Muslims and their rulers upset both, especially Asalamjohm both elders fanatics or their followers disadvantaged, of the image and rhetoric and its impact? Why become artistic monuments and museums prominent target and priority in the map of the terrorist act and program phantom Islamic countries? Valbarhh the Bardo Museum in Tunis target for a terrorist act, killing about 23 people, mostly tourists who come for museums to enjoy “Rbertoarha” artistic and historical, which gives a clear picture of the artistic and cultural life and aesthetic sensitivity and queens of visual creativity in the country on a visit. The Bardo Museum is one of the largest museums in the world that embraces and offers Antique Romanian mosaics that date back to the second century BC. A few days ago the oldest organization “Daash” to break down large and valuable human artistic heritage city of Mosul, Iraq occupied and which contain hundreds of archaeological sites, including the cutting and Assyrian sculptures dating back to the ninth century BC! A few years ago he world’s first start for this crashing and hostility of civilization with the feet of the Taliban to the demolition of many of the sculptures and art effects precious belonging Buddhism in several cities, including Kandahar and Kabul … Afghanistan civilization, and the political decision of Mullah Omar, carried out by the Ministry called “The Ministry of matter Promotion of Virtue and Prevention of Vice and culture! ” The obvious answer to this question, which reduces culturally problematic significant, is the fact that the image form muted and forbidden culturally taboo religiously and subject Mdensa, and did not find after normal in cultural infrastructure and public serpents governed by the duality of the sacred and the profane, and did not get rid of after the deposition of culture and fears representation and embodiment and deification. If the foundation in important real shifts in cultural Albrdakm historical moments, was Astdmaj image as a holder speech and produce expressive and artistic, and incorporated into the educational and cultural system effectively, away from the traditional approach, which is based on the moral justification of religious justification, and the option of confusion and keep the major areas desecrated and Altboukas and fear and discomfort, for the rest of the image and all associated graphical forms of visual arts and formulas rhetorical thorny issue and a matter of false debate was the biggest results continued ignorance of art, image, and the fear of them, and thus Maadthma and waiting for the opportunity to Tahtimama. It will be the first acts of sovereignty and governance on behalf of the Islamic state and the movements of political Islam practices, even under penalty of illusion, is shattering artifacts and evidence of human civilizations, and that museums are prime targets of a terrorist act on behalf of these organizations, political and cultural project, this means that the image, art and creativity and Iirat cultural material is one of the most important issues that should be taken care of and in turn, educational and cultural modernization and democracy and socializing in the countries that actually aspire to the development and progress of civilization project.]]>
Why terrorism aimed at art museums, pictures and effects of civilizations ?
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